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Of all British
Alban’s demands primary consideration, not only as that of
When the persecution of Diocletian ceased, a small chapel is said to have been built over St. Alban’s grave on the top of a hill situated to the north of Verulam city. At the invasion of the Saxons in the sixth century this chapel was ruined, and during the two hundred years of paganism which followed, the grave of St. Alban was forgotten.
Owing to a
vision of the Mercian
king Offa (so runs the story), in which he was admonished to search for
martyr’s body and exalt it to a place of honour, a monastery was
the relics of St. Alban were placed in a shrine in 795.
It was only a simple monument, but it excited
the covetousness of the semi-Christian Danish invaders, who, intent on
broke it open and carried off the relics to
By strategy the relics were restored to their own church.
The sacrist of
The ambition of
abbots was to make a shrine worthy of
Such a treasure the monks of Ely were loth to part with, but the St. Albans fraternity understood that weakness—the coveting of relics—and had, as we have seen, made provision for its occurrence ; at the same time spreading abroad the report of their removal, thus hoping to hoodwink the Danes and escape their ravages.
When all fear
was past, the
precaution of the
of their patron stain. Those bones sent from Ely were deposited in a wooden chest, in which St. Alban had been laid in the time of Offa, and in future years that also came to be venerated in consequence of its former association with the martyr.
At last Abbot Geoffrey ordered the work of the shrine to be again taken in hand. The copper was overlaid with plates of beaten gold. Sixty pounds 1 had already been spent on the feretory, when famine again impoverished the country, and the precious metal were stripped off for the benefit of the starving.
This was the year 1128, but the following year was one of plenty, and the long-delayed work was accomplished. It was made by Monk Anketill who had been a goldsmith before joining the brethren, was of silver gilt, and decorated with a profusion of gems ; but the upper-most crest was not finished, as they had not collected a sufficiency of jewels.
Scarcely was it completed before it was again destroyed, not to relieve the starving poor this time, but to buy the manor of Brentfield. The monks were indignant. Why should the vessels of gold on the abbot’s table be spared while the shrine of the saint was defaced? Abbot Ralph’s action was sacrilegious ; but he made compensation which was for the ultimate honour of St. Alban, for he appropriate the greater part of the rents of that manor to the perpetual keeping–up of the shrine.
The next abbot,
Robert de Gorham,
solicited the Pope—Adrian IV, the Englishman—to take measures to compel
of Ely to forbear asserting that they were the possessors of the true
It was asserted that St. Alban sometimes issued from and returned to
shrine, thereby testifying that his relics were safe in his own church
a commission of
three bishops to
make a strict inquiry. They went to Ely
and on pain of excommunication the convent confessed “that they had
deceived by a pious fraud ; that they had perpetuated sacrilege, and
without one bone of St. Alban.” 3 This abbot once again restored the feretory,
as it was before Ralph’s vandalism, with much ornament of gold, silver,
precious stones. The succeeding abbot
John, a goldsmith, to yet further embellish the shrine, and Matthew of
that indefatigable historian and artist, says that the had never seen
one more splendid
and noble. To him we are indebted for a
drawing of it, which, together with his description, enables us to
beauty of the shrine of
In those days
the high altar
screen had not been built, and the feretory could be seen by those in
choir, over the dorsal, as it stood on a stone substructure. The feretrum on
the two sides was overlaid with
figures of gold and silver, showing the acts of St. Alban in high
relief. At the eastern end was a large
the attendant figures of St. Mary and
In this drawing the feretory has been taken down from the fixed shrine and placed on a bier, richly draped, or [sic] the poles have been passed through attached rings, and it is being carried in procession on the shoulders of four monks.
This beautiful work was unfortunately done with borrowed money, and at the death of the abbot, among the creditors who pressed their claims was one Aaron, a Jew, who came to the abbey and boasted “that he had built that noble shrine ; and that all the grand entertainment of the place had been furnished out of his money.”
While making some repairs at the east end of the church in 1256 the original coffin of St. Alban, which had long since been discarded, was found, and by its old
The Feretory of
associations with the saint had become endowed with miraculous properties, as was attested on that occasion. The following year the king came to the shrine and offered a curious and splendid bracelet, valuable rings, and a large silver cup, in order to deposit therein the dust and ashes of the venerable martyr ; he also gave some palls of silk to cover the old monument of the saint. On another occasion he had offered rich palls, bracelets, and gold rings, and gave the convent permission to convert them into money, provided they expended it in decorating
the shrine. Among the permanent decorations of the feretrum were two suns of gold.
Thomas de la Mare added many valuable ornaments to the shrine, and a large eagle of silver and gold which stood on the crest, the gift of Abbot Michael, he re-beautified.
Among the benefactors to the shrine, Edward I gave a large image of silver gilt ; Edward III offered many rich jewels of gold and precious stones ; and Richard II presented a necklace for the image of the Blessed Virgin which was on the west end of the feretory. Other pilgrims offered various gifts : Adam Panlyn gave a sliver basin which was suspended over the shrine to receive alms ; Lord Thomas of Woodstock, a necklace of gold adorned with sapphire stones, with a pendant of a white swan expanding its wings, and two cloths of gold for a covering for the shrine ; Sir Robert de Walsam, precentor of Sarum, gave jewels ; another gave a sapphire “of admirable beauty” ; and another a richly ornamented zone.
The abbot John Wheathampsted had the Life of St. Alban translated from Latin into English at a cost of three pounds (about £50), and deposited it on the shrine for the edification of the pilgrims. He also, at his own expense, had a picture of the saint painted and decorated with gold and silver, which he suspended over the shrine ; and it was said that the ornament exceeded the merit of the artist. It cost 50 marks, besides 795 ounces of plate used in embellishing it.
Many names of the custodians of these treasures find mention in the numerous manuscripts written in the scriptorium of this abbey, one of whom—Robert Trynoth, feretrius—was buried in the retro-choir, beneath the shadow of these shrines he had so diligently tended.
The fixed structure on which the feretory rested was
taken down by Abbot John (1302 – 1308) and replaced by one of greater magnificence at a cost of 820 marks ; the remains are visible at the present day. No representation of this was left to us, and until quite recently the form of it was unknown.
may be followed in detail with the shrines of St. Cuthbert and
In 1847, the rector had certain walled-up arches and windows reopened, and among the débris were found many fragments of beautifully wrought Purbeck marble. These were carefully preserved, and when, in 1872, a great number of corresponding pieces were discovered, Mr. J. T. Micklethwaite, assisted by the foreman of the works, patiently fitted together over two thousand fragments of marble and clunch—a veritable work of love, which restored the better part of the substructure whereon the feretory had rested. It was a marvelous accomplishment, and it enables the present generation to picture the beauty it presented to the pilgrims who thronged around the shrine.
structure, 8 feet 4 inches in height, is composed of a paneled base
with quatrefoils, upon which rise ten canopied niches, with backgrounds
plates of coloured clunch yet retaining much of their
blue-blazoned with the three lions of
portion of the
shrine—the protecting cover—is the only part of which we have no
representation. It was presumably of
wainscot similar to
made on the same principle, to be lowered over the costly feretrum for protection and to be raised to exhibit it to the pilgrims, for in the roof immediately over the centre of the shrine is a hole through which a pulley was fixed : and
--page not numbered--
if it is this canopy which is mentioned by Matthew of Paris as having the inside covered with crystal stones, what a spectacle it must have presented, as it slowly rose before the assembled pilgrims ! The lights from innumerable tapers would cause the crystals to scintillate with an indescribable magnificence.
The watch-loft on the northside of the shrine is the most perfect left to us. It is a two-storied building of oak ; in the lower portion are aumbries [book cupboards], which contained various smaller relics, and which have shutters to ensure their safety. A narrow stairway of oaken beams ascends to the watching-chamber above, in which was posted a monk to see that no damage was done to the feretory when the protecting cover was raised and the jewelled reliquary exposed for the veneration of the pilgrims.
At the demolition of shines there were among the ornaments brought to the treasure-house of Henry VIII “great agates, cameos, and coarse pearles set in gold, from St. Albans,” some of which were probably the antique gems which had been gleaned from the ruins of the Roman city of Verulam by the early abbots of St. Albans.
A few shrines
have in latter days
been partially restored, but in no other case has there been so
wonderful a restoration as we have a
Within the same old abbey another shrine has been re-erected—the shrine of St. Alban’s teacher, the priest who had been instrumental in bringing St. Alban into the Church ; the priest who, by St. Alban’s exchange of cloaks, had been enabled to escape his persecutors for a time, allowing the latest convert to be the first to witness by his blood the faith of Christ. Whether St. Amphibalus be the name of the man, or a name conferred through the
incident of the cloak, matters not ; by that name is the martyr revered, and by that name has he been known for generations in the Church’s calendar.
very shortly after the martyrdom of St. Alban. He
was brought with certain of his converts to the
Hitherto the shrine of St. Amphibalus had been in close proximity to that of St. Alban, but when William de Trumpington became abbot he prepared another position for it, where St. Amphibalus should be venerated by himself and not receive a mere share of the divided attention of the pilgrims with the proto-martyr. This was in the middle of the ante-chapel of the Lady Chapel, or the retro-choir, where a high fixed shrine was decorated by Walter de Colchester, the sacrist, who was an excellent painter and an “incomparable carver.” It was enclosed with an iron grating, “where had been fixed a decent altar with a painting and other suitable ornaments” ; and the whole was consecrated by the Irish bishop of Ardfert. The two gilt shrines in which the relics of St. Amphibalus and his companions had first been deposited were given to the
newly built church at Redbourn to honour that place with mementoes of its own martyrs, and the abbot appointed that a perpetual guard should be kept over them both day and night by a relay of monks.
The shrine of St. Amphibalus was rebuilt, during the time of Abbot Thomas de la Mare, at the cost of the sacrist, Ralph Witechurche, and the eastern end was adorned by the abbot with images and silver-gilt plates at a cost of £8 8s. 10d. (about £168 16s. 8d.).
At the time when the fragments of St. Alban’s shrine were found (1872), many pieces of finely carved white stone, or clunch, were also discovered, which proved to be parts of the pedestal of the shrine of St. Amphibalus. These have been fitted together, and although in a very fragmentary and imperfect state, sufficient has been restored to enable a fairly correct conclusion as to its former appearance.
Standing on a step of 6 inches in height is a basement 23 inches high, 6 feet long, and nearly 4 feet wide. This is covered with a curiously sculptured fretwork, the western end bearing the remains of the saint’s name, A M P H I B . . . S and a fleur-de-lys. On the north and south sides are the initials R. W. of Ralph Witechurche and fleur-de-lys ; but the eastern end, which was decorated with silver-gilt figures, is naturally lost.
Above the basement, on either side, is an open arcade of two bays, and at each end is a single arch, all of which are canopied and have straight-sided crocketed pediments. Originally there were three shafts at each side and two at the ends, of which only the capitals remain ; they are elaborately sculptured with a goat and masks, and some of them retain traces of colour and gilding. Surmounting the whole is a cornice 12 inches high, making the total height from the pavement 7 feet 7 inches.
Another relic of St. Amphibalus—a hand, or fragment of that member—was enshrined in a hand reliquary, richly decorated with silver and precious stones, and presented by William Westwyck, who for so great a benefaction was awarded a final resting-place near the shrine of that saint in the retro-choir close by the altar of the “four wax candles.”
Shrine of St. Amphibalus]
-end of chapter-
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